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At dusk the lamps are lighted in the great cathedral church—lines of gas fringe within the huge dusky dome mixing with the fading daylight. The hour of service approaches, the sound of footsteps becomes more frequent; around, the roar of the great city fades.
The commercial traveler comes in with his parcel and strap, deposits it on a chair and seats himself beside it; the city man comes with his bag; the country visitor gazes curiously aloft and around; the tired old piffler and newsroom loiterer slips in for half-an-hour’s sleep; the young English girl, graceful as a kitten, and her brother sit reverently down; the prostitute also arrives and chooses her place with discretion.
* * * * *
The shaven-faced verger lights the candles of the great lectern, and the organ booms slowly forth its first notes—trembling through the spaces of roof and dome.
The music-teacher leaves her roll of music on the chair, and kneels downright upon a mat; and the lady with her little boy join in the service;
The ragged wandering-minded old man shuffles in and sits down, muttering to himself; the young man from the waterworks talks in a low voice to the girl with whom he is keeping company;
The middle-aged man sleeps, with his little girl huddled wide-eyed against his side; the young mason with clear eyes and stubbly unshaven chin looks round at the vast columns and carven capitals;
And the sleepy old canon stumbles on through the service, while the choir-boys wink at the tenors and basses.
* * * * *
In the morning, in the thick January morning, rows of dirty tawny brick houses stretch all around through the fogs of London—here and there a light yet lingers in a window.
On the pavements are hurrying mortals with tall hats, bags, overcoats—depressed;
White-faced girls going to work, city men anxiously glancing at the papers as they go;
The postman with bag over his shoulders and bunch of letters in his hand, untidy servants sweeping the doorsteps, the butcher’s boy in his cart, the governess going to her lessons;
The milk-carts, brewers’ drays, hansom-cabs, the hurried self-absorbed crowd at the underground station, the skim downstairs, dash for the carriage doors, and train disappearing forthwith into the tunnel.
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