CONCLUSION

“All’s well that ends well—through art’s magic.”

The work of artists of the English school, and there are many, are in the Tate Gallery, the adjunct of the National Gallery. You must go there to study them—Mulready, Leslie, Etty, Ward are there. I think that you will agree with me that the peculiarity of the English school is its singularity. It differs from every other school. It is essentially itself. The English people are thought cold and insular by the continental nations, and their art expresses their separateness.

You have heard of the pre-Raphaelite movements, the object of which was to revive the faithful study of nature—its ideal was sincerity. The pre-Raphaelite Brotherhood, as the artists who formed it called themselves, painted with fine, small touches; they omitted what are called the values in painting. The effect was often that of hardness.

Millais (1829–1896), our great artist, joined the brotherhood, but, after a while, he returned to the old school with its broader methods. Still the discipline of his pre-Raphaelite studies clung to him, and he never lost the splendid accuracy of his touch. During his pre-Raphaelite period he painted some of his noblest pictures—“The Vale of Rest,” the “Ophelia,” and others which are now in the Tate Gallery. We have here but two of his splendid portraits, that of W. E. Gladstone (1666), and that of the great surgeon, Sir Henry Thompson (1941). Look at the fire and the tenderness in the eyes of Mr. Gladstone. The portrait was painted in 1879, at the time when the Eastern part of Europe was in revolt against Turkish despotism. Then the soul of the great statesman was full of wrath at the idea of liberal England backing Turkey, and going to war for her sake. And in the portrait of Sir Henry Thompson how splendidly the decision, the masterfulness of the spirit of the sitter, are conveyed. We cannot look at these two works without acknowledging the power and insight of Millais’ genius.

He was born in Jersey, and his parents came to London in 1837, and settled in Gower Street. They sent their son to an art school directed by Mr. Sass, and there, at the age of nine, he won a silver medal. At eleven he was admitted to the Academy schools. Before he was seventeen, he had painted his first picture, which was hung in the Royal Academy, and in 1847 he gained the R.A. medal. In 1853, when he was just twenty-four years of age, he was elected an Associate, and, ten years afterwards, he attained the full dignity of Royal Academician. After the death of Lord Leighton, the Presidentship of the Academy was offered to Millais. He accepted it, but disease had already marked him for its own, and he died in 1896. Those of you who are old enough, must remember the magnificent series of pictures he painted, and how every year, when the Academy opened, there was but one question of interest, “What has Millais painted?”

And now we have finished our tour of the National Gallery. We have left many pictures unnoticed, but I think we have left out none that are memorable, and that you will be able to trace the peculiarities of each master in his works. The master’s genius is the outcome of his time, of his faith and struggles. We have seen how Catholicism reigned over the spirit of Italy and Spain; how Protestantism and love of country inspired the artists of the Low Countries, how charming and cultured artificiality was expressed in French art, and how the art of England declares her strong and insular soul.

Art is the language of the spirit. Poetry, music, painting, sculpture tell us the secret of humanity’s dreams. The National Gallery and all the picture galleries throughout the world are shrines of one mode of its expression, and as such are unique and important possessions.

PICTURES AND PAINTERS

FLORENTINE SCHOOL

PICTURE PAINTER NUMBER PAGE The Madonna and Child _Cimabue_ 565 6 St. John and St. Paul _School of Giotto_ 276 10 Coronation of the Virgin „ 568 10 The Virgin and Child _Margaritone_ 564 11 Coronation of the Virgin _Orcagna_ 569 12 The Trinity „ 570 13 Angels Adoring „ 571 13 Angels Adoring „ 572 13 The Nativity „ 573 13 The Adoration of the Magi „ 574 13 The Resurrection „ 575 13 The Three Maries „ 576 13 The Ascension „ 577 13 The Holy Spirit „ 578 13 The Virgin and Child _Filippo Lippi_ 589 15 The Vision of St. Bernard „ 248 16 Portrait of Cosmo I. _Bronzino_ 704 16 The Annunciation _Filippo Lippo_ 666 17 St. John the Baptist and Saints „ 667 17 Mars and Venus _Botticelli_ 915 19 The Nativity of the Saviour „ 1034 20 The Virgin and Child, St. John the „ Baptist and an Angel 275 21 The Assumption of the Virgin „ 1126 22 Portrait of a Lady _School of Botticelli_ 2083 22 The Resurrection _Fra Angelico_ 663 23 St. Francis with the Stigmata _Filippino Lippi_ 598 25 Angel Adoring „ 927 26 The Adoration of the Magi „ 592 26 The Adoration of the Magi „ 1033 26 The Adoration of the Magi _Filippino Lippi_ 26 1124 27 The Battle of Sant’ Egidio _Paolo Uccello_ 583 28 The Death of Procris _Piero di Cosimo_ 698 30 Raphael and Tobias _Antonio Pollajuolo_ 781 32 Martyrdom of St. Sebastian „ 292 33 Portrait of a Girl _Domenico Ghirlandajo_ 1230 35 Portrait of a Youth „ 1299 35 Procession to Calvary _Ridolpho Ghirlandajo_ 1143 35 The Entombment of Our Lord _Michael Angelo_ 36 790 39 The Madonna and Infant Christ, St. „ John the Baptist and Angels 809 39 Our Lady of the Rocks _Leonardo da Vinci_ 1093 41 His Own Portrait _Andrea del Sarto_ 690 44 Holy Family „ 17 46 The Virgin Adoring the Infant Christ _Lorenzo di Credi_ 648 46 Virgin and Child „ 593 47 The Virgin and Child with St. John _Bartolommeo_ 1694 47

SIENESE SCHOOL

PICTURE PAINTER NUMBER PAGE The Madonna and Child _Duccio_ 566 51 The Assumption of the Virgin _Matteo di Giovanni_ 1155 51 The Procession to Calvary _Ugolino_ 1189 52 Madonna and Child _Benvenuto da Siena_ 909 52

UMBRIAN SCHOOL

PICTURE PAINTER NUMBER PAGE The Virgin and Infant Christ with St. _Perugino_ John 181 55 The Virgin Adoring the Infant Christ „ 55 288 56 The Virgin and Child with St. Jerome „ 55 and St. Francis 1075 56 The Adoration of the Shepherds „ 55 1441 56 The Baptism of Our Lord _Ascribed to Perugino_ 1431 55 The Madonna and Child _Giovanni Santi_ 751 58 The Vision of a Knight _Raphael_ 213 59 Madonna Degli Ansidei „ 1171 60 St. Catherine of Alexandria „ 168 61 The Madonna, Infant Christ and St. „ John (Garvagh Madonna) 744 61 The Madonna of the Tower „ 2069 62 Portrait of Julius II. „ 27 62 The Nativity _Piero della Francesca_ 908 64 The Baptism of Christ in the River „ Jordan 665 65 The Triumph of Chastity _Signorelli_ 910 65 The Circumcision „ 1128 65 The Nativity „ 1133 65 The Story of Griselda _Umbrian School 912 66 (ascribed to 913 67 Pinturicchio)_ 914 67 St. Catherine of Alexandria _Pinturicchio_ 693 68 The Madonna and Child „ 703 68 The Return of Ulysses to Penelope „ 911 68

FERRARESE AND BOLOGNESE SCHOOLS

PICTURE PAINTER NUMBER PAGE The Madonna and Child Enthroned _Cosimo Tura_ 772 70 St. Jerome in the Desert „ 773 71 The Madonna and Child with Saints _Ercole di Grandi_ 1119 71 The Madonna and Child Enthroned _Tisio da Garofalo_ 671 73 The Vision of St. Augustine „ 81 74 The Holy Family „ 170 74 Christ’s Agony in the Garden „ 642 74 St. Hyacinth: Dominican _Francesco del Cossa_ 597 74 The Madonna and Christ Enthroned with _Lorenzo Costa_ Angels 629 74 A Pietà _Francia (Francesco Raibolini)_ 180 75 The Virgin and Child and St. Anne „ 75 Enthroned: Surrounded by Saints 179 76 The Adoration of the Magi _Dosso Dossi_ 640 78

PADUAN SCHOOL

PICTURE PAINTER NUMBER PAGE The Triumph of Scipio _Andrea Mantegna_ 902 80 Samson and Delilah „ 1145 80 The Virgin and Child Enthroned „ 274 80

VENETIAN SCHOOL

PICTURE PAINTER NUMBER PAGE Saints Peter and Jerome _Antonio Vivarini_ 768 83 St. Francis and St. Mark „ 1284 83 The Annunciation _Carlo Crivelli_ 739 84 Christ’s Agony in the Garden _Giovanni Bellini_ 726 85 The Doge Leonardo Loredano in His „ State Robes 189 85 Madonna and Child „ 280 86 The Blood of the Redeemer „ 1233 86 St. Peter Martyr „ 812 86 St. Jerome in His Study _Catena_ 694 88 A Warrior Adoring (_Ascribed to Catena_) 234 89 Bacchus and Ariadne _Titian_ 35 89 The Madonna and Child with St. John „ the Baptist and St. Catherine Embracing the Divine Infant 635 90 Ariosto „ 1944 91 Portrait of a Poet (_Ascribed to Titian_) 636 91 A Knight in Armour _Giorgione (Barbarelli)_ 269 93 The Adoration of the Magi „ 1160 93 The Garden of Love _School of Giorgione_ 930 93 An Unknown Subject _School of Giorgione_ 1173 93 St. George and the Dragon _Tintoretto (Robusti)_ 16 94 Christ Washing the Feet of His „ Disciples 1130 94 The Origin of “The Milky Way” „ 1313 94 The Family of Darius at the Feet of _Veronese Alexander (Ca’liari)_ 294 95 The Vision of St. Helena „ 1041 96 The Raising of Lazarus _Sebastian del Piombo_ 1 97 Portrait of Count Sciarra Cesaresco _Moretto_ 299 99 Portrait of an Italian Nobleman „ 1025 99 Portrait of a Lawyer _Moroni_ 742 99 Portrait of an Ecclesiastic „ 1024 99 Portrait of a Tailor „ 697 99 Portrait of the Phrothonotary _Lorenzo Lotto_ Apostolic Juliano 1105 100 Portrait of a Lady _Paris Bordone_ 674 100

SCHOOLS OF LOMBARDY (SCHOOL OF MILAN AND PARMESE SCHOOL)

PICTURE PAINTER NUMBER PAGE The Marriage of St. Catherine of _Ambrogio Alexandria Borgognone_ 298 102 Family Portraits „ 779–780 103 Christ Arguing with the Pharisees _Bernardino Luini_ 18 103 “Ecce Homo” _Correggio_ 15 104 The Holy Family „ 23 104 Mercury Instructing Cupid in the „ Presence of Venus 10 105 Regatta on the Grand Canal _Canaletto_ 938 108 View on the Canal Reggio, Venice „ 163 108 The Magdalen _Guido Reni_ 177 108 The Madonna with the Infant Christ _Sassoferrato_ 740 108 Landscape and Figures _Salvatore Rosa_ 1206 108

SCHOOL OF SPAIN

PICTURE PAINTER NUMBER PAGE The Dead Christ _Ribera_ 235 111 A Franciscan Monk _Zurbaran_ 230 113 The Nativity, or Adoration of the „ Shepherds 232 113 Portrait of Philip IV., King of Spain _Velazquez_ 1129 116 Philip IV., King of Spain „ 745 116 Portrait of the Spanish Admiral „ Pulido-Pareja 1315 117 Venus and Cupid „ 2057 117 Christ at the Column „ 1148 117 A Dead Warrior _Ascribed to Velazquez_ 741 118 St. John and the Lamb _Murillo_ 176 121 The Holy Family „ 13 121 A Spanish Peasant Boy „ 74 121 Portrait of Doña Isabel Corbo de _Goya y Lucientes_ Porcel 1473 121 Portrait of Dr. Peral „ 1951 121

FLEMISH SCHOOL

PICTURE PAINTER NUMBER PAGE Portraits of Jean Arnolfini and Jeanne _Jan van Eyck_ de Chenany His Wife 186 124 A Canon and His Patron Saints _Gerard David_ 1045 125 The Mystic Marriage of St. Catherine „ 1432 125 Portrait of a Man Dressed in Black _Mabuse_ with Fur over His Shoulders 656 126 A Man’s Portrait „ 946 126 Portrait of a Man and His Wife „ 1689 126 Salvator Mundi, and the Virgin Mary _Quinten Massys_ 295 126 The Deposition in the Tomb _Roger van der Weyden_ 664 127 “Mater Dolorosa” „ 711 127 “Ecce Homo” „ 712 127 Husband and Wife _Ascribed to Van der Weyden_ 653 127 The Magdalen _School of Van der Weyden_ 654 127 The Virgin and Infant Christ Enthroned _Memling_ in a Garden 686 128 The Madonna and Infant Christ „ 709 129 St. John the Baptist Holding a Lamb on „ His Left Arm 747 129 The Abduction of the Sabine Women _Rubens_ 38 132 The Judgment of Paris „ 194 132 Le Chapeau de Paille (Portrait of „ Susanne Fourment) 852 133 An Equestrian Portrait of Charles I., _Van Dyck_ King of Great Britain and Ireland 1172 134 Portrait of Cornelius van der Geest „ 52 134 A Music Party _David Teniers (the younger)_ 154 136 Players at Tric-Trac, or Backgammon „ 242 136 The Village Fête „ 952 137

DUTCH SCHOOL

PICTURE PAINTER NUMBER PAGE Portrait of a Woman _Frans Hals_ 1021 139 Portrait of a Man „ 1251 139 His own Portrait when Aged About _Rembrandt_ Thirty-two 672 140 The Painter’s own Portrait at an „ advanced age 221 140 The Adoration of the Shepherds „ 47 141 Portrait of a Capuchin Friar „ 166 141 A Jewish Rabbi „ 190 141 Portrait of a Woman „ 237 141 A Man’s Portrait „ 243 141 Portrait of an Old Lady in Black, with „ White Cap and Ruff 775 141 A Man’s Portrait „ 850 141 A Burgomaster „ 1674 141 Portrait of an Old Lady „ 1675 141 The Courtyard of a Dutch House _Pieter de Hoogh_ 794 142 Courtyard of a Dutch House Paved with „ Bricks 835 142 The Duet _Gabriel Metsu_ 838 143 The Music Lesson „ 839 143 River Scene by Moonlight, with _Van der Neer_ Shipping 239 143 Card Players _Nicolas Maas_ 1247 143 The Idle Servant „ 207 143 The Dutch Housewife „ 159 143 The Alchymist _Adrian van Ostade_ 846 144 A Frozen River _Isaak van Ostade_ 963 144 Portrait of a Young Lady _Van der Helst_ 1248 144 The Poulterer’s Shop _Gerard Dou_ 825 144 The Painter’s Own Portrait „ 192 145 The Painter’s Wife: Bust „ 968 145 The Music Master _Jan Steen_ 856 145 The Peace of Münster _Gerard Terborch_ 896 145 The Guitar Lesson „ 864 147 A Calm at Sea _Van de Velde (the younger)_ 874 147 Dutch Shipping _Ludolf Bakhuizen_ 223 148 River Scene with Cattle _Albert Cuyp_ 823 148 Landscape with Cattle and Figures: „ Evening 53 148 Landscape with Cattle _Paul Potter_ 849 149 A Landscape with Waterfall _Jacob Ruysdael_ 627 150 An Old Oak „ 988 150 The Broken Tree „ 991 150 The Avenue, Middelharnis, Holland _Meindert Hobbema_ 830 150 Landscape, a Party of Muleteers with _Jan Both_ Laden Mules: Morning 71 151 An Italian Landscape „ 1917 151 Landscape with Figures _Jan Wynants_ 884 152 Landscape, a Hilly Country with a Few _Jan Wynants_ Trees 971 152 A Battle, Cavalry and Infantry _Philips Wouwerman_ 976 152 A Full Length Portrait of a Girl _Sir Peter Lely_ 1016 153 A Vase with Flowers _Jan van Huysum_ 796 153 A Fruit Piece _Frans Snyders_ 1252 153 Portrait of the Painter’s Father _Albrecht Dürer_ 1938 156 Portrait of a Young Lady _Lucas Cranach_ 291 157 The Ambassadors _Hans Holbein_ 1314 158

FRENCH SCHOOL

PICTURE PAINTER NUMBER PAGE A Man’s Portrait _Ascribed to Clouet_ 660 161 Portrait of a Boy „ 1190 161 Cephalus and Aurora _Nicolas Poussin_ 65 163 A Bacchanalian Festival „ 42 163 A Bacchanalian Dance „ 62 163 A Landscape with Figures, Representing _Gaspard Poussin_ Abraham and Isaac Going to the Sacrifice 31 163 The Calling of Abraham „ 1159 163 Landscape with Figures, Representing _Claude Lorrain the Marriage Festival of Isaac and (Claude Gellée)_ Rebecca 12 165 Seaport, with Figures, Representing „ the Embarkation of the Queen of Sheba, on the Occasion of Her Visit to Solomon 14 165 A Seaport at Sunset „ 5 166 Landscape with Figures, Representing „ the Story of Narcissus and Echo 19 166 The Four Ages of Man _Nicolas Lancret_ 101–4 168 Study of Still Life _Siméon Chardin_ 1258 169 “La Fontaine” „ 1664 169 The Head of a Girl _Jean Baptiste Greuze_ 206 170 Girl with an Apple „ 1020 170 Head of a Girl Looking Up „ 1019 170 Portrait of the Artist _Mme. Vigée Le Brun_ 1653 170 Sunny Days in the Forest _Diaz de la Pena_ 2058 171 Portrait of Mr. and Mrs. Edwards _Fantin Latour_ 1952 171 The Marsh Arleux-du-Nord _Corot_ 2135 172

ENGLISH SCHOOL

PICTURE PAINTER NUMBER PAGE His Own Portrait _William Hogarth_ 112 177 Portrait of Miss Fenton, the Actress, „ as “Polly Peachum” in the “Beggar’s Opera” 1161 178 The Marriage “À La Mode” „ 113–118 178 Calais Gate, called also “The Roast „ Beef of Old England” 1464 178 Heads of Angels _Sir Joshua Reynolds_ 182 179 The Graces Decorating a Terminal „ Figure of Hymen 79 179 Mrs. Harley and Child (sometimes „ called a Nymph with the Infant Bacchus) 1924 180 The Infant Samuel Kneeling at Prayer „ 162 180 The Age of Innocence „ 307 180 Robinetta „ 892 180 Portrait of Lord Heathfield, with the „ Key of the Fortress of Gibraltar in His Hand 111 180 Dr. Samuel Johnson „ 887 180 Portrait of Mrs. Siddons _Thomas Gainsborough_ 683 181 Portrait of Orpin, Parish Clerk of „ Bradford, Wiltshire 760 181 The Market Cart „ 80 182 The Watering Place „ 109 182 Study of an Old Horse „ 1484 182 Landscape with Figures, Representing _Richard Wilson_ the Destruction of Niobe’s Children 110 183 Study of Lady Hamilton as a Bacchante _George Romney_ 312 185 Sketch Portrait of Lady Hamilton _George Romney_ (Cassandra) 1668 185 Portrait of Mrs. Mark Currie „ 1651 185 Portrait of Lieut.-Colonel Bryce _Sir Henry Raeburn_ McMurdo 1435 185 Portrait of a Lady (a Member of the „ Dudgeon Family) 1146 185 Portrait, said to Represent Mary _John Opie_ Wollstonecraft (Mrs. Godwin) 1167 186 Portrait of William Godwin, the Author „ 1208 186 Portrait of the Countess of Oxford _John Hoppner_ 900 187 Portrait of Mrs. Siddons _Sir Thomas Lawrence_ 785 187 Portrait of Benjamin West, P.R.A. „ 144 187 Portrait of the late John Julius „ Angerstein, the Banker, and Collector of the Angerstein Gallery 129 188 Portrait of Romilly „ 1238 188 Mousehold Heath, near Norwich _John Crome_ 689 190 Slate Quarries „ 1037 190 The Windmill „ 926 190 River Scene _John Cotman_ 1111 191 The Inside of a Stable _George Morland_ 1030 191 The Pilgrimage to Canterbury _Thomas Stothard_ 1163 192 A Greek Vintage, a Dance in the „ Vineyard 317 193 The Corn Field, or Country Lane _John Constable_ 130 195 The Valley Farm „ 327 196 The Sun Rising in a Mist _J. M. W. Turner_ 479 165 Dido Building Carthage „ 498 165 The Bay of Baiae, Apollo and the Sibyl „ 505 198 The “Fighting Téméraire” Tugged to Her „ Last Berth to be broken up 524 198 Venice „ 370 199 Ulysses Deriding Polyphemus „ 508 199 Approach to Venice, Looking Towards „ Fusina 534 199 The “Sun of Venice” Going to Sea „ 535 199 The Garden of the Hesperides „ 477 199 The Death of Nelson „ 480 199 Childe Harold’s Pilgrimage „ 516 199 Peace: Burial at Sea of the Body of „ Sir David Wilkie 528 200 The Blind Fiddler _Sir David Wilkie_ 99 202 The Village Festival „ 122 203 The Bagpiper „ 329 203 The Spiritual form of Pitt Guiding _William Blake_ Behemoth 1110 204 The Procession from Calvary „ 1164 204 Dignity and Impudence _Sir Edwin Landseer_ 604 206 Shoeing „ 606 207 Spaniels of King Charles’s Breed „ 409 207 The Sleeping Bloodhound „ 603 207 Portrait of Right Hon. W. E. Gladstone _Sir John E. Millais_ 1666 209 Portrait of Sir Henry Thompson, Bart „ 1941 209

NATIONAL GALLERY INDEX TO PAINTERS AND THEIR WORKS

A

_Abduction of the Sabine Women, The_, by Rubens, 132

_Adoration of the Magi_ by Dosso Dossi, 78

_Adoration of the Magi_ by Giorgione, 93

_Adoration of the Magi_ by Filippino Lippi, 26, 27

_Adoration of the Shepherds_ by Rembrandt, 141

_Adoration of the Shepherds_ by Perugino, 56

_Age of Innocence_ by Reynolds, 180

_Ambassadors, The_, by Holbein, 158, 159

_Angel Adoring, An_, by Filippino Lippi, 26

Angelico, Fra., 23, 24, 109

_Angerstein, Portrait of Lord_, by Lawrence, 188

_Annunciation_ by Carlo Crivelli, 84, 85

_Annunciation_ by Filippo Lippi, 17, 18

_Approach to Venice_ by Turner, 199

_Ariosto_ by Titian, 90, 91

_Assumption of the Virgin_ by Botticelli, 22

_Assumption of the Virgin_ by M. di Giovanni, 51

_Avenue, The, Middelharnis, Holland_, by Hobbema, 150

B

_Bacchanalian Dance_ by Poussin, 163

_Bacchanalian Festival_ by Poussin, 163

_Bacchante_ by Romney, 184, 185

_Bacchus and Ariadne_ by Titian, 89, 105

_Bagpiper, The_, by Wilkie, 203

Bakhuizen, 147, 148

_Baptism of Christ in the River Jordan_ by Francesca, 65

_Baptism of our Lord_ ascribed to Perugino, 55

Bartolommeo, 47, 48

_Battle, A, Cavalry and Infantry_, by Wouwerman, 152

_Battle of Sant’ Egidio_ by Uccello, 28, 29

_Bay of Baiae, Apollo and the Sibyl_ by Turner, 198

Bellini, Gentile, 79, 83

Bellini, Giovanni, 79, 83, 85–86, 88, 91, 94, 100

Benevenuto da Siena, 52

Blake, 203

_Blind Fiddler, The_, by Wilkie, 202, 203

_Blood of the Redeemer_ by Bellini, 86

Bonheur, 174, 175

Bordone, 100

Borgognone, 102

Both, Jan, 151

Both, Adrian, 151

Botticelli, 9, 15, 18–23, 27, 82, 109

Botticelli (School of), 22

_Broken Tree, The_, by Ruysdael, 150

Bronzino, 16

Boucher, 168, 169

_Bruce Macmerdoe, Lt.-Colonel_, by Raeburn, 185

Buonaccorso, 52

C

“_Calais Gate_” by Hogarth, 178

_Calling of Abraham_ by G. Poussin, 163

_Calm at Sea_ by Van de Velde, 147

Canaletto, 107–108, 109

_Canal Reggio_ (_The Grand Canal_) by Canaletto, 108

_Canon, A, and his Patron Saints_ by Gerard David, 125

Carracci, 107

_Card Players_ by Nicholas Maas, 143

Catena, 88, 89

_Catherine of Alexandria_ by Pinturicchio, 68

_Cephalus and Aurora_ by N. Poussin, 163

_Chapeau de Paille, Le_, by Rubens, 133

_Charles I._ by Van Dyck, 134

Chardin, 168, 169

_Childe Harold’s Pilgrimage_ by Turner, 199, 200

_Christ at the Column_ by Velazquez, 117, 118

_Christ Disputing with the Pharisees_ by Luini, 103, 104

_Christ’s Agony in the Garden_ by Giovanni Bellini, 85

_Christ’s Agony in the Garden_ by Garofalo, 74

_Christ Washing the Disciples’ Feet_ by Tintoretto, 94

Cimabue, 2, 5–11, 12, 50

_Circumcision_ by Signorelli, 65

Claude, 148, 164–166, 167, 195, 197

Clouet, François, 161, 162

_Cornelius van der Geest_ by Van Dyck, 134

Constable, 194–196

Correggio, 102, 104–106

Corot, 172–174

_Coronation of the Virgin_ (School of Giotto), 10

_Coronation of the Virgin_ by Orcagna, 12, 13

Cosimo, 9, 30–32

Costa, Lorenzo, 74, 75

_Cosmo de’ Medici_ by Bronzino, 16

Cotman, 191

_Courtyard of a Dutch House_ by De Hoogh, 142, 143

Cranach, 157

Credi, Lorenzo di, 46, 47

Crivelli, Carlo, 84

Crome, 189–191

_Crossing the Brook_ by Turner, 200

_Currie, Mrs. Mark_, by Romney, 185

Cuyp, 148

D

David, Gerard, 125

_Dead Christ, The_, by Ribera, 111–112

_Dead Warrior, The_, by Velazquez, 118–119

_Death of Nelson, The_, by Turner, 199

_Death of Procris, The_, by Cosimo, 30–32

_Dido Building Carthage_ by Turner, 165

_Dignity and Impudence_ by Landseer, 206–207

Diaz de la Pena, 171

_Doge Leonardo Loredano in his State Robes_ by Giovanni Bellini, 85, 86

Dolci, 107, 108, 109

Dosso Dossi, 78

Dou, 144

_Dou: Portrait of himself_, 145

_Dou: Portrait of his Wife_, 145

Duccio, 50–52

Dughet (see Poussin, Gaspard)

Dürer, 4, 155–157, 158

_Dutch Shipping_ by Bakhuizen, 148

Dyck, Van, 3, 119, 133–135, 152, 176

E

_Ecce Homo_ by Corregio, 104

_Edwards, Mr. and Mrs._, by Fantin Latour, 171

_Entombment of Our Lord_ by Michael Angelo, 36–39

Eyck, Van, 3, 86, 123–125, 126

F

_Family Portraits_ by Brogognone, 103

_Family of Darius at the Feet of Alexander_ by Veronese, 95, 96

_“Fighting Téméraire,” The, Tugged to her Last Berth_ by Turner, 198

_Fontaine, La_, by Chardin, 169

_Four Ages of Man_ by Lancret, 168

Fragonard, 167

Francesca, Piero della, 64–65

Francia, 75–78

_Franciscan Monk_ by Zurbaran, 113

_Fruit Piece_ by Snyders, 153

G

Gainsborough, 4, 176, 177, 180–182, 183, 184, 185, 195

_Game of Backgammon_ by Teniers, 136

_Garden of Love_ (school of Giorgione), 93

_Garden of the Hesperides, The_, by Turner, 196

Garofalo, 73

_Garvagh Madonna_ by Raphael, 61, 62

Gellée (see Claude)

Ghirlandajo, Domenico del, 34

Ghirlandajo, Ridolfo del, 35

_Girl with an Apple_ by Greuze, 170

Giorgione, 88, 91, 92–93, 94

Giotto, 2, 9–11, 12

Giotto (School of), 10

Giovanni, Matteo di, 50, 51, 52

_Gladstone, W. E._, by Millais, 209

_Godwin, William_, by Opie, 186

Goya, 121

_Graces Decorating a Statue of Hymen_ by Reynolds, 179, 180

Grandi, 71

_Greek Vintage, A_, by Stothard, 193

Greuze, 169–170

_Griselda, The Story of_ (Umbrian School), 66

Guercino, 107

H

Hals, 138–139, 143, 144

_Hamilton, Lady, as Bacchante_ by Romney, 185

_Hamilton, Lady, as Cassandra_ by Romney, 185

_Hartley, Mrs., and Child_ by Reynolds, 180

_Head of a Girl_ by Greuze, 170

_Head of a Girl Looking up_ by Greuze, 170

_Heads of Angels_ by Reynolds, 179

_Heathfield, Portrait of Lord_, by Reynolds, 180

Helst, Van der, 144

_His own Portrait_ by Hogarth, 177, 178

Hobbema, 150–151, 189

Hogarth, 4, 176, 177–178

Holbein, 4, 155, 157–160

_Holy Family, The_, by Andrea del Sarto, 46

_Holy Family_ by Correggio, 104

_Holy Family_ by Garofalo, 74

_Holy Family_ by Murillo, 121

Hoppner, 186, 187

_Horse Fair, The_, by Rosa Bonheur, 174