The most famous Talisman, however, of the Middle Ages is the

ABRACADABRA, which, says the Rev. C. W. King, was first mentioned by Serenus Sammonicus, the most learned Roman of his time, and physician to Caracalla. Serenus Alexander, a great admirer of Serenus Sammonicus, ordered the word to be written in the form of an inverted cone, and declares it to be of virtue against all diseases.

“Thou shalt on paper write the spell divine ABRACADABRA called in many a line, Each under each in even order place, But the last letter in each line efface, As by degrees the elements grow few, Still take away but fix the residue, Till at the last one letter stands alone, And the whole dwindles to a tapering cone. Tie this about the neck with flaxen string, Mighty the good ’twill to the patient bring, Its wondrous potency shall guard his head And drive disease and death far from his bed.”

The Illustration No. 136, Plate X, is from an example in the British Museum, and the probable origin of this Talisman is that it is a composition of the Hebrew words _Ha_--_Brachab_--_Dabarah_--“Speak or pronounce the Blessing”; “Blessing” standing for “The Blessed One,” being equivalent to invoking the Holy Name of Jehovah.

Defoe mentions this Talisman as being worn written as described, for a safeguard against infection during the time of the Great Plague, the prescription being that the word _Abracadabra_ be written on parchment and worn for nine days (nine being the number of the Planet Mars ruling fevers and infectious illnesses generally). It was then to be thrown backwards before sunrise into a stream running eastward (the East Wind being also under the influence of the Planet Mars). Another signification given to the word ABRACADABRA is said to be of Jewish origin, and means “God sends forth His lightning to scatter His enemies,” which sentence occurs in a Psalm of David. It was also believed to have the power of curing the toothache, as an extract from an old MS. in the British Museum contains the following interesting information:

“Mr. Banester sayeth that he healed two hundred in one yer of an ague, by hanging Abracadabra about their necks, it would stanch blood or heal the toothache although the parties were ten miles off.”

Other writers affirm that in order to cure mild attacks of ague it is only necessary to repeat the word ABRACADABRA, dropping each time one letter, but in severe cases the word was to be written as prescribed and eaten by the patient!

The PENTALPHA, PENTACLE, PENTAGRAM, or Five-pointed Star, has always had very mysterious powers ascribed to it, and Rennet, Bishop of Peterborough, says: “When it is delineated on the body of a man it points out the five places wherein the Saviour was wounded, and, therefore, the devils are afraid of it.” No evil spirit could pass where it was displayed, and for this reason it was always used in magic ceremonies to “bind with,” as the spirits of darkness can have no power over the magician who stands within this Pentacle or is provided with this symbol. Audrey says: “It was used by the Christian Greeks (as the sign of the Cross was later), at the heading of MS. and at the beginning of books for ‘good luck’s sake.’”

In the Middle Ages it was looked upon as a symbol of immense power, and was worn for health and safety, both in the spiritual as well as in the physical sense; and the magical Pentacle in the western window of the southern aisle of Westminster Abbey is one of the emblems still existing to prove that the worshippers of old were deeply read in Occult lore. Eliphas Levi describes it “as the seal of the Microcosm through which Man can command the powers and beings of the Elements and restrain Elementals from evil.” In Illustration No. 134, Plate X, it is shown with the symbols of the Planets and the Sacred Names of God which give it added power and efficacy. Scott, in _Marmion_, describing a wizard, also alludes to this Talisman as follows:

“His shoon were marked with cross and spell, Upon his breast a pentacle”;

and in Germany it is still considered a Talisman against the powers of witchcraft.

THE KABALA, the source and inspiration of numerous Talismans, came into being very soon after the establishment of the Christian Religion, when the Jewish Rabbis developed a complete science of Divine things, received, as the name implies, by direct revelation, according to which all created things from the highest to the lowest are ruled, through the ten principal names of God, acting first through the nine orders of the Angelic Hosts and blessed souls, and through them to the Celestial Spheres, Planets, and Mankind. Lower degrees of Angels and celestial influences, known as Intelligences, ruling each element, nation, language, animal and vegetable life, atmospheric conditions, emotions and aspirations. The early Christians had great faith and belief in the power of numbers, and their magical formulas were largely composed of letters having numerical values, usually expressed in Hebrew. Sometimes Greek letters were used, which, combined with astrological formulas, attracted the good influences of the Angels and Intelligences ruling through the Planets, the houses of the Zodiac, their triplicities and degrees.

One form described as the

TABLE OF JUPITER, which is illustrated on Plate X, Illustration No. 139, contains sixteen numbers which total up to thirty-four whichever way they are added. This, with the Divine names around it, is to be made in a plate of silver when Jupiter is strong, and was worn for riches, favour, peace, and concord, to appease enemies, and to confer honours and dignities.

The Good Spirits were always working to preserve mankind from the machinations of Evil Spirits; the Jupiterian Spirits working especially to preserve Justice and Mercy on Earth. This Talisman may be seen reproduced in Albrecht Dürer’s picture of “Melancholy.” The complete set of the Planetary Tables with their Angels and Intelligences, together with full instructions for their making, may be found in the _Magus_ by Francis Barrett.

THE TEN NAMES of God were used to attract the virtues and powers they represent, or to accomplish some desire signified.

The first is the name EHEIA, the essence of Divinity, influencing the angelic order of Seraphim through whom the gift of being is bestowed on all things.

The second is JOD, signifying wisdom, ruling through the order of Cherubim.

The third is ELOHIM, signifying providence and understanding, ruling through the order of Thrones.

The fourth is EL, signifying clemency and goodness, grace, piety, and magnificence, ruling through the order of Dominions.

The fifth name is ELOHIM GIBOR, signifying power and judgment, ruling through the Seraphim.

The sixth name is ELOHA, meaning Beauty and Glory, and has power through the order of Virtues.

The seventh name is ADONAI SABAOTH, the God of Hosts, triumph and victory, justice and eternity, ruling through the order of Principalities.

The eighth is ELOHIM SABAOTH, signifying Piety and Agreement, ruling through the Archangels.

The ninth is called SADAI, that is, Omnipotent, and has influence through the Cherubim, ruling the increase and decrease of all things.

The tenth name is ADONAI MELECH, signifying Kingdom and Empire, and has rule through the Blessed Souls giving knowledge and understanding.

Very powerful in Talismans were the names of the Angels ruling the Planets, as follows:

Saturn ruled by Zaphiel. Jupiter „ „ Zadkiel. Mars „ „ Camael. Sun „ „ Raphael. Venus „ „ Haniel. Mercury „ „ Michael. Moon „ „ Gabriel.

Names of power were compounded from letters taken from verses of Scripture: for example, the AGLA is formed from the initial letters of the words ATE GEBIR LEILAM ADONAI--“Thou art mighty for ever, O Lord”; a popular charm during the fourteenth century against Fever, frequently found on rings and brooches of this period. It was used by Dr. Dee, as illustrated on Plate X, Illustration No. 138.